I gave a copy to Randy, to Joe and to Don Henley.
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“I did a quick mix of it, put it on a cassette with the other 16 songs, gave a copy of it to everybody in the band and said, ‘If anybody’s interested in writing or finishing one of these songs for the record, let me know’.
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"So I pretty much overdubbed everything that you hear on the record now on this little four-track studio, except for a couple of Walsh licks at the end.”įelder recorded this demo of the song a full year before the band recorded the album. “This was the first album with Joe and I where we could do some harmony guitar stuff and trade off solos, and I wanted to write something that would have some interesting guitar stuff on it," says Felder. Often voted the best guitar solo of all time – duking it out with Stairway To Heaven for the top spot, usually – it’s mostly Felder’s work.
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Hotel California was to mainstream US radio what Bohemian Rhapsody was to the UK variety – the ostensibly overlong number that broke the mould and forced programmers to indulge the artists’ creative whims despite the restrictive (three-minute) format.
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And I was sitting on the couch on a July day – in cut-off shorts, a t-shirt and flip-flops – playing guitar and just goofing around in this rented beach house in Malibu. "We’d just come off One Of These Nights, which was a very successful record for us, but we were under the gun to come up with a lot of ideas, so I had put together a reel of say 16 or 17 song sketches – in this little reel-to-reel four-track TEAC tape recorder in my back bedroom. “I had rented a house on the beach in Malibu that summer and we were writing songs for what was going to become the Hotel California album," guitarist and songwriter Don Felder told Guitarist Magazine of the song's creation. If Rumours detailed the breakdown of relations within the Mac, Hotel California dissected the demise of the hippie dream, dismantling the notion of LA as some sun-kissed Utopia. It might have been the epitome of carefree freeway rock, but Hotel California was a dark affair, and certainly melancholy for a mega-seller (to date, the album has sold 32 million copies and counting). The initial success and enduring appeal of "Hotel California" illustrate exactly how it captures the imagination, especially for a song that defies commercial viability by being over 6 minutes long with a 1-minute opening, and a 2-minute, air guitar-inducing final solo.You want punk? These five “middle-class kids from the Midwest” ( Don Henley) came not to pursue the west coast myth but to bury it. The "full sensory experience" of song description, as Felder said, is intentional, as is the choice to have the song take place in California: a place nearly mythologized for its idyllic beauty and cabal of Hollywood celebrity.
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As described in Song Facts, it was written based on a series of chord progressions that guitarist Don Felder wrote on the beach. "Hotel California" won 1977's Grammy for Record of the Year. As the song progresses, and the singer encounters stranger characters and situations, the song's sense of entrapment grows and grows. The dreamy, acoustic opening segues into a sliding, dark bass that invites the listener to dream of contrasting worlds: what is seen, and what is real.
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Its lyrically vivid descriptions of pink champagne, shimmering lights, dark desert highways, and voices in the night conjure images of a journey that is superficially glamorous, but hides something lurking and insidious. "Hotel California" by the Eagles has inspired more than its fair share of theories and discussion since its release in 1976. You can check out any time you like / But you can never leave